The Washington Post has published an interactive and multimedia article that explores what happens in the human brain when watching a ballet performance:
Flynn Center for the Performing Arts announced that its executive director, John Killacky, will step down from his role in June 2018. Killacky previously served on the board of Grantmakers in the Arts and as program officer for arts and culture at The San Francisco Foundation. As reported by Seven Days:
Arts patron and philanthropist Alice Walton announced the formation of Art Bridges, a 501(c)(3) foundation focused on sharing outstanding works of American art. Collaborating with museums and institutions of all sizes and in all regions of the country, Art Bridges will help create and fund exhibitions, bringing together art from museums, private collections, foundations, and a collection established as a part of Art Bridges.
“Our country’s significant works of art should be available for all to see and enjoy,” said Walton. “Outstanding artworks are in museum vaults and private collections; let’s make that art available to everyone, and provide a way to experience these cultural treasures.”
Andrew W. Mellon Foundation President Earl Lewis will step down in March 2018 after five productive years at the helm. At the completion of his five-year term, Lewis will return to the academy, and launch a new initiative, The Center for Social Solutions, to focus efforts on three core areas of concern — race and diversity; water; and the future of work. He expects to announce more details in the new year.
The Ontario Arts Council (OAC) will receive a funding increase to its current base of $60 million, bringing it to $80 million over four years by fiscal year 2020-21. Over the next four years, this added investment to OAC programs will ensure that Ontarians have increased access to arts activity throughout the province and ensure that they see themselves represented in the arts. Two-thirds of the increased granting budget will be used to augment operating grants to arts organizations.
Older adults who create art and attend arts events have better health outcomes than adults who do neither is one of the conclusions in a new report published by the National Endowment for the Arts. Staying Engaged: Health Patterns of Older Americans Who Engage in the Arts presents the first detailed look at arts participation habits, attitudes toward the arts, and related health characteristics of adults aged 55 and older.
In a recent blog post, Ford Foundation President Darren Walker reflects on recent political events and the need for moral courage in America:
While we’ve endured challenging times before, I have always maintained an unwavering faith in America’s promise and, more broadly, in our democratic values—and I still do. I have always believed that progress is cumulative—that, as more people and communities win their place in the circle of American equality and opportunity, this circle will continue expanding, in a virtuous cycle.
For the month of September, GIA’s photo banner features work and artists supported by the Metcalf Foundation. The goal of The George Cedric Metcalf Foundation is to enhance the effectiveness of people and organizations working together to help Canadians imagine and build a just, healthy, and creative society. The foundation invests approximately $5.4 million each year in charitable activities to work focused on the environment, performing arts, inclusive local economies, and special initiatives.
In the latest issue of the GIA Reader, Stan Hutton of the Clarence E. Heller Charitable Foundation writes about the recent formation of the Arts Education Impact Group organized by Grantmakers for Education (GFE). Hutton notes that there is growing interest in arts education among GFE conference attendees, and that the newly formed group will promote understanding among GFE members about the benefits of a quality arts education. Read “Grantmakers for Education Forms Arts Education Impact Group.”
A recent article in the Stanford Social Innovation Review highlights the practice of shared gifting, “a grantmaking approach that allows nonprofit leaders to award grant dollars to other nonprofit organizations.” The article discusses the potential impacts of this form of peer-to-peer support, including creating opportunity for otherwise overlooked organizations and supporting nonprofit collaboration.