501(c)(3) non profit grantmaker

501(c)(3) non profit grantmaker

July 31, 2004 by giarts-ts-admin

2004, 38 pages. New York State Artist Workspace Consortium, kerry@mccarthyartsconsulting.com, www.nysawc.org

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July 31, 2004 by giarts-ts-admin

2003, 232 pages, $20.00. Cultural Policy Center, The Irving B. Harris Graduate School of Public Policy Studies, University of Chicago, 1155 East 60th St., #157, Chicago, IL 60637-2745, (773) 702-4407

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July 31, 2004 by giarts-ts-admin

Following up on Stan Hutton's introduction to arts blogs in the last Reader, in this issue we're looking at the beginnings of the philanthropic blogosphere. As with many blogs covering a specific field, philanthropic blogs tend to offer either personal journals of opinion and ideas or periodic news round-ups, brief abstracts of articles or publications and links to the original. Some, of course, provide both.

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July 31, 2004 by giarts-ts-admin

One effect of attacks on the leading agencies supporting cultural pluralism in the not-for-profit sector, which began with the Reagan administration and continued through the Clinton presidency to the present day, has been to elevate the U.S. commercial arts at the expense of the not-for-profit arts.

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December 31, 2003 by giarts-ts-admin

2002, 127 pages. The Center for an Urban Future, New York, NY, 212-479-3344, www.nycfuture.org.

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December 31, 2003 by giarts-ts-admin

What can evaluation accomplish for grantmakers and grantees? What roles should each play in the design and execution of the evaluation process? Recent briefings from The Conservation Company and the Neighborhood Funders Group examine these questions from different vantage points.

Evaluation: The Good News for Funders
Andrew Mott

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December 31, 2003 by giarts-ts-admin

2003, 15 pages. The Urban Institute/Wallace Foundation, www.wallacefoundation.org or www.urban.org

Many grantmakers express a heightened interest in learning more about cultural participation. Research about who participates, what motivates people to participate and the barriers to participation provides valuable data to cultural organizations and funders seeking to broaden, deepen, and diversify audiences for these offerings.

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December 31, 2003 by giarts-ts-admin

2002, 20 pages. Americans for the Arts, 203.371.2830, www.AmericansForTheArts.org

"When we hear talk about reducing support for the arts," writes Robert Lynch, president of Americans for the Arts, "we should ask: Who will make up for the lost economic activity?" The gist of the message of that group's Arts & Economic Prosperity report is simple and catchy: "the arts mean business."

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December 31, 2003 by giarts-ts-admin

July 2003, 25 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 S. 19th Avenue, room 231, Minneapolis, MN 55455, (612) 625-8092

Download:

   The Artistic Dividend (1.6Mb)

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December 31, 2003 by giarts-ts-admin

April 2002, 47 pages. Supported by the Doris Duke Charitable Foundation, the Association of Performing Arts Presenters, and the Urban Institute. (Research conducted by the Center on Nonprofits and Philanthropy at the Urban Institute with assistance from the Center for Survey Research at Ohio State University and the Center for Survey Research at Indiana University, Bloomington.) 202-833-7200, paffairs@ui.urban.org

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