GIA Blog

Posted on February 17, 2015 by Steve

A post to Medium from Dustin Timbrook, Media Director for Lowe Mill ARTS & Entertainment:

Can you imagine a world in which most jobs are obsolete? If not, you are most likely in for a rude awakening in the coming decades of radical shifts in employment. This is particularly true for new parents propelling the next generation of workers into an adulthood that many economists and futurists predict to be the first ever “post-work” society.

Though the idea of a jobless world may seem radical, the prediction is based on the natural trajectory of ‘creative destruction’ — that classic economic principle by which established industries are decimated when made irrelevant by new technologies.

Posted on February 17, 2015 by Steve

From Joe Palca at National Public Radio:

A decade ago, physicist Robert Davies wasn’t all that interested in Earth’s climate. His field was quantum optics. But while he was working at the University of Oxford in England, he became intrigued by what was going on at Oxford’s Environmental Change Institute, just down the road from his lab. Davies started going to seminars at the Institute, and was taken aback, he says, by “the broad gap between what science understands about climate change, and what the public understands.”
Posted on February 12, 2015 by Steve

Lessons Learned about Change Capital in the Arts, a report from Nonprofit Finance Fund that was released at the end of 2014, provides a four-year evaluation of Leading for the Future: Innovative Support for Artistic Excellence, an experimental $15 million initiative funded by the Doris Duke Charitable Foundation. The analysis in the report, authored by Alan Brown and Arthur Nicht, reflects critically on what was learned from the initiative for the benefit of funders, individual philanthropists and others with an interest in the theory and practice of capitalization as applied to nonprofit arts organizations.

Posted on February 12, 2015 by Steve

From Eileen Cunniffe, writing for Nonprofit Quarterly:

On Sunday, the front page of the Philadelphia Inquirer ran a headline describing the state of the arts sector in the Philadelphia region: “Abundant culture, dearth of funding.” On Monday morning, leaders from the arts community and its funders gathered to hear key findings from the report that prompted the headline, an in-depth study of the region’s cultural sector by Boston-based consulting and research firm TDC.
Posted on February 12, 2015 by Steve

From Alexis Stephens at Nextcity:

When the root causes of gentrification are being discussed, artists and arts groups often get caught in the cross fire. But while the arrival of sculptors, mixed-media painters and the like may foreshadow rising rents, there are many artists who struggle to afford city life. Across the country this week, several cities took steps to ease that struggle. In New York, Mayor Bill de Blasio used his State of the City address on Tuesday to highlight his plan to create 1,500 new units of affordable housing for artists by 2024.
Posted on February 9, 2015 by Steve

From Peter Dobrin, writing for The Inquirer:

A new William Penn Foundation-commissioned study paints a portrait of the Philadelphia arts scene as rife with both promise and peril. The report, which examines more than 160 groups, says some are coming up with innovative ways to adjust to changing demographics and ticket-buying patterns, but it also finds that 70 percent are in poor financial health, undercapitalized, and unable to withstand financial stress or to fund new ideas. And while there is a promising new generation of philanthropists in the area, they have not been persuaded by arts groups to loosen their purse strings.
Posted on February 5, 2015 by Steve

Capitalization, Scale, and Investment: Does Growth Equal Gain? is a report from TDC, with support from the William Penn Foundation, that was presented at the GIA 2014 Conference by Susan Nelson, a primary author. The first part of the report analyzes date from the Cultural Data Project to take the temperature of the Philadelphia arts ecosystem in order to see how organizations fared over the five year period of 2007 to 2011. The second section of the report explores how to navigate the question of growth for an individual organization. To invest in growth that will contribute to sustainability, TDC contends that organizations and their supporters need to challenge their core assumptions and be relentlessly honest about their goals, what kind of investment it will take to actually achieve those goals, and whether the goals are achievable.

Posted on February 5, 2015 by Steve

By Paul Shoemaker, writing for Stanford Social Innovation Review:

The Empire State Building is one of the seven modern wonders of the world. Yet when it was built, the most revolutionary aspect wasn’t its architecture or the height. The less-acclaimed, quantum leap was in the construction practices that the contractor, Starrett Brothers and Eken, used. Never before had a building been constructed in that way or as quickly. In philanthropy today, we are doing some good “architectural” work in emergent philanthropy, networks, and collective impact, to name a few.
Posted on February 3, 2015 by SuJ'n

Southern Methodist University's National Center for Arts Research (NCAR) recently released its first annual Arts Vibrancy Index. This index ranked hundreds of communities, large and small, across the US on measures of arts vibrancy as defined by supply, demand, and government support for arts and culture on a per capita basis. Along with the report, NCAR released a web-based interactive heat map that show the relative strength of each community determined by scores for arts dollars, arts providers, government support, socio-economic factors, and other characteristics.

Read NCAR's release on the report here.

Posted on February 2, 2015 by SuJ'n

During the month of February, GIA's photo banner features work and projects sponsored by First Peoples Fund. Founded in 1995, First Peoples Fund is a national native arts and entrepreneurial organization dedicated to the preservation, advancement, and well-being of American Indian arts and culture, deeply rooted in Indigenous values and place-based practices. Its mission is to honor and support the Collective Spirit® of First Peoples artists and culture bearers.

We recently asked First Peoples Fund what they are excited about.