Support for Individual Artists

GIA members have been working together to promote and improve funding for individual artists for over 20 years. The Support for Individual Artists Committee has been one of the most active groups of funders within GIA. Over the years, the committee has been an incubator for such projects as a scan of scholarly research on artist support, a visual timeline outlining the history of artist support funding, major publications, and programs, and the development of a national taxonomy for reporting data on support for individual artists. The committee continues to advise, inspire, and inform GIA’s thought leadership and programming in support for individual artists.

Click here to listen to the latest podcast, and see below for resources.

February 5, 2013 by giarts-ts-admin
“As this has never been done before, we have no idea what we’re doing today,” Joanna Haigood half-joked at the launch of Paseo, less a walking tour than a movable, danceable feast, a peripatetic block party that, for one delightful hour, would twist through the South Bronx neighborhoods of Hunts Point and Longwood.
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January 8, 2013 by Abigail

Co-Chair Transitions:

After serving three years as the co-chair of our committee, Michael Royce of the New York Foundation for the Arts, stepped down at the end of 2012. We thanked Michael for his leadership and his unswerving commitment to supporting artists. We then welcomed Rose Parisi of the Illinois Arts Council as the new co-chair who will serve along with Esther Grimm from 3Arts. Later in 2013, several new members will be announced, along with a new name for the committee.

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November 13, 2012 by Abigail

The last two meetings of the GIA Individual Artists Group Steering Committee focused primarily on the preconference, sessions, and roundtable gathering in preparation for the Miami conference, in addition to the research study GIA is conducting on the support of individual artists nationwide.

With an overarching goal of creating a network of mutual support, the committee worked to strengthen communication with like-minded funders and increase efforts to connect the sector and reach new funders.

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September 26, 2012 by giarts-ts-admin

Ann R. Markusen et al., 2006. Minneapolis: Arts Economy Initiative, Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota.

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June 21, 2012 by giarts-ts-admin
What is a woman’s relationship between the experience of spending time in a natural setting away from everyday chores, and the release of self-expression through writing?
Start with this:
Walking on a salty sandy beach, then sitting down to write.
Eating thoughtfully created organic meals prepared for you in a warm kitchen. Sharing your new writing with the other residents in a comfortable living room after dinner.
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June 21, 2012 by giarts-ts-admin
“Theatres are the best way to keep people from the arts.”
— Simon Dove, Utrecht Festival, Dance/USA Forum, January 2011

Why will some people engage with art in one setting, but not another? For example, why will someone watch great drama on television at home, but never darken the door of a theater? Why will someone listen to classical music in a place of worship, but not a concert hall?

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June 11, 2012 by Abigail

The Steering Committee co-chairs opened the May meeting by welcoming new members Denise Brown, Leeway Foundation; Ben Cameron, Doris Duke Charitable Foundation; Julie Dalgleish, CERF+; Ruby Harper, Greater Columbus Arts Council; Jayson Smart, Rasmuson Foundation; and Sacha Yanow, Art Matters. The Committee then discussed the guidelines, put forward by the subcommittee formed during the February meeting, for ensuring a dynamic, involved membership, including the staggered, two-year terms of the co-chairs that ensure renewed and shared leadership of the committee.

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March 5, 2012 by Abigail

The GIA Support for Individual Artists Group Steering Committee met in February to discuss four topics: Committee membership; the 2012 GIA conference and preconference in Miami; future activities surrounding the case statement developed by the committee in 2011 to advocate for the support of individual artists; and participation in other associations’ conferences.

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February 19, 2012 by giarts-ts-admin

Artspire. 2011, 219 pages, Allworth Press and The New York Foundation for the Arts, New York

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