In a recent blog post, Living Cities -a collaborative of foundations and financial institutions working to close racial gaps- shares the lessons they have learned from Racial Equity Here, an initiative that supports five cities committed to improving racial equity.
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The GIA Library is an information hub that includes articles, research reports, and other materials covering a wide variety of topics relevant to the arts and arts funding. These resources are made available free to members and non-members of GIA. Users can search by keyword or browse by category for materials to use in research and self-directed learning. Current arts philanthropy news items are available separately in our news feed - News from the Field.
“We made the world we’re living in and we have to make it over.”
—James Baldwin
Funders are redefining philanthropic giving in education, focusing increasingly on advancing education equity, according to a new report from Grantmakers for Education.
Sherece Y. West-Scantlebury, president and CEO of the Winthrop Rockefeller Foundation, shares in an article published in Stanford Social Innovation Review how the foundation she leads embarked on a path to transform its endowment and achieve racial equity.
How does philanthropy stay accountable to the values we claim to espouse? Over the past seven years, ArtPlace America invested $87 million in supporting artists as allies in equitable community development. The National Creative Placemaking Fund (NCPF) funded 279 creative placemaking projects in 208 communities of all sizes across the United States. As that fund came to a close at the end of 2017, we decided to interrogate how effective we had been at aligning our values with our assumptions and philanthropic practice.
Successful cultural organizations masterfully manage contributed and earned income. This income mix can include corporate grants, endowment income, foundation grants, government grants, individual donations, membership fees, ticket sales, and unrelated business income (National Endowment for the Arts 2012). Although Alicia Schatteman and Ben Bingle (2017) have suggested that government funding is the most stable of these sources of income, foundations have played a significant role in the development of the US cultural sector (Renz 1994; Negley 2017).
Having worked with panels since my first job in philanthropy at the National Endowment for the Arts, thirty years ago, I am always interested in learning more about how to make the panel system better. Discussions about process, scoring systems, panel adjudication methods, conflict of interest, panel recruitment, multistep review processes, criteria, and more are infinitely fascinating to me and at the heart of improving our own work at the Jerome Foundation.
As a society and country, we continue to struggle with the legacy of racism and the structural barriers that have been created to privilege some while oppressing others. Building racial equity and social justice takes dedication, inspiration, honesty, and a willingness to admit and learn from our failures. There are no foolproof guides or programs, nor one right path to achieving racial equity. It becomes a daily practice to question norms and work to make change.
Almost three in four foundations (72 percent) with few or no staff report racial equity as "somewhat" or "very relevant" to their mission, with almost two in five (37 percent) reporting that racial equity was "very relevant" to their work, according to Exponent Philanthropy’s 2019 Foundation Operations and Management Report.
The Pittsburgh Foundation and New Voices for Reproductive Justice launched recently the Social Justice Rapid Response Fund, a new grantmaking program aimed at providing support for activists and civic organizations in underserved communities across Allegheny County, in the southwest of Pennsylvania, reported NEXTpittsburgh.