GIA Reader, Vol 12, No 3 (Fall 2001)

On the cover:
The ensho (circle painting) is as challenging as it is ambiguous. Rendered with delicate balance of control and spontaneity, it is said at once to represent complete emptiness as well as encompass the entire universenothing and everything. Others have described it as a representation of the moment of transformation, when samsara, the world of suffering, becomes nirvana, the world of enlightenment.

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Contents of GIA Reader, Vol 12, No 3 (Fall 2001)

Podcast #50: Black Arts Funding In 2023

Grantmakers in the Arts hosted the first GIA Black Arts Funding Summit in December of 2022. This virtual gathering of 113 artists, arts administrators, and funders allowed attendees to acknowledge and understand the long histories of exclusion, disenfranchisement, and disendowing in the philanthropic sector. One year later, we are continuing the conversation with two funders and elevating new considerations after one year. We are glad to have Rasu Jilani, executive director of Brooklyn Arts Council, and Anthony Simmons, senior director of Institutional Partnerships, Resilia, joining us to share their thoughts on what’s next for Black arts funding and what that means for equity and self-determination.

GIA · #50: Black Arts Funding In 2023

ALL PODCASTS

Black Arts Funding Summit

On December 13, the Black Arts Funding Summit featured experts across fields and industries who have directly shaped institutional policy and established new practices that support Black liberatory futures.

Explore the conference blog

Explore Solidarity Economy resources here

Videos from the GIA 2022 Conference are now available for streaming.

GIA Reader, Vol 12, No 3 (Fall 2001)

GIA Reader, Vol 12, No 3 (Fall 2001)

Contents of GIA Reader, Vol 12, No 3 (Fall 2001)

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