Steve's Blog

Posted on August 15, 2011 by Steve

From Steve Lohr in The New York Times:

Shared value is an elaboration of the notion of corporate self-interest — greed, if you will. The idea that companies can do well by doing good is certainly not new. It is an appealing proposition that over the years has been called “triple bottom line” (people, planet, profit), “impact investing” and “sustainability” — all describing corporate initiatives that address social concerns including environmental pollution, natural-resource depletion, public health and the needs of the poor.
Posted on August 15, 2011 by Steve

From Azeem Azhar, founder and CEO of Peer Index, on gigaom.com:

Marketers have long believed that some customers have a disproportionate influence on others when it comes to purchase decisions, and they have tried different strategies to identify and target those customers. Indeed McKinsey & Co. reckons 20-50 percent of purchases involve a peer reference.
Posted on August 10, 2011 by Steve

Barry's second question for the policy panel:

Many contend that arts education advocacy has largely been a failure. Others disagree. Where are the successes? Where will funding come from in the future to implement policy?

Read the responses.

Posted on August 10, 2011 by Steve

Full details of the GIA 2011 Conference Sessions are now available from the conference website. You can now see when individual session will occur and who the presenters will be, as well as any online resources associated with them.

conference.giarts.org/sessions.html.

Posted on August 8, 2011 by Steve

Violinist and MacArthur Fellow Sebastian Ruth is profiled on the String Visions website. In 1997, Ruth founded Community MusicWorks, a non-profit based in the West End neighborhood of Providence, Rhode Island. For fourteen years, CMW and Sebastian Ruth have empowered the lives of urban youth and families through classical music.

Posted on August 8, 2011 by Steve

From a Lawrence Journal-World editorial:

The Kansas Arts Commission still exists, but it has no money and no staff to administer its program. Judging from last week’s meeting, it also appears that commission members have little idea how they will move forward.
Posted on August 8, 2011 by Steve

Barry Hessenius's blog at Westaf has spent the past two weeks focused on Arts Education in the context of Practice and Fieldbuilding. This week the discussion turns to Policy with a new panel of respondents:

  • Janet Brown, Executive Director, Grantmakers in the Arts
  • Cyrus Driver, Program Learning and Innovation, Ford Foundation
  • Bob Lynch, President and CEO, Americans for the Arts
  • Narric Rome, Senior Director for Federal Affairs and Arts Education, Americans for the Arts
  • Laurie Schell, outgoing Executive Director, California Alliance for Arts Education
Posted on August 5, 2011 by Steve

The latest addition to the National Endowment for the Arts web site is a full section devoted to the Our Town Communities where you will find photos and more information about the 51 creative placemaking projects recently awarded NEA grants to support community development through the arts and design.

http://www.arts.gov/national/ourtown/

Posted on August 4, 2011 by Steve

Nonprofit arts organizations are invited to attend two webcasts—on Thursday, August 11 and Friday, August 12—about funding opportunities through the Department of Housing and Urban Development’s Office of Sustainable Housing and Communities (OSHC). OSHC recently issued two Notices of Funding Availability (NOFA) for their FY 2011 Community Challenge Grants Program ($95 million in grants available) and FY 2011 Sustainable Communities Regional Planning Grant Program ($28 million available).

Posted on August 4, 2011 by Steve

This week's beat is Fieldbuilding, and the second question posed to the participants is this:

How is the field addressing barriers to arts education beyond budget decreases – the need for relevant assessment and accountability methods, lack of equity and access, high turnover of education and arts leadership, the unspoken territorial divide between arts education people and the general nonprofit arts sector, and the history of the arts education segment’s ability to organize itself? How do we get to innovation in the field?