In the latest issue of the GIA Reader, Michele Kumi Baer of The New York Community Trust writes about the formation of and lessons learned from the New York City Cultural Agenda Fund, a collaborative fund focused on cultural policy and advocacy that was created in the wake of New York City’s last mayoral election. Read “Seizing Opportunity amid Uncertainty: Lessons in Funder Collaboration.”
By Janet Brown from her blog "Better Together"
There are many arguments for continued federal funding to the National Endowments for the Arts and the Humanities (NEA and NEH), the Corporation for Public Broadcasting (CPB) and the Institute of Museum and Library Services (IMLS) — all agencies that would be eliminated by President Trump’s 2018 budget and crippled in his recommended 2017 budget.
From The Deseret News:
In the latest issue of the GIA Reader, Jesse Rosen, president and CEO of the League of American Orchestras, discusses the League’s work addressing diversity in the orchestra field. “A New Will to Confront Homogeneity in American Orchestras,” presents the results of two of the League’s studies on the racial and gender demographics of the field and efforts to support inclusion of African American and Latino musicians through fellowships.
For the month of April, GIA’s photo banner features work supported by The Heinz Endowments’ Transformative Arts Process (TAP) program. As an organization, The Heinz Endowments comprises two private foundations, the Howard Heinz Endowment and the Vira I. Heinz Endowment, that share a mission to help southwestern Pennsylvania thrive economically, ecologically, educationally, and culturally.
A new study funded by The New York Community Trust and Surdna Foundation found correlation between the presence of arts and culture resources and the health, safety, and well-being of low and moderate income neighborhoods in New York City. According to the report, culture does not work alone but is one ingredient that makes neighborhoods stronger. The findings will be used by The Trust and Surdna Foundation in grantmaking, and by the City’s Department of Cultural Affairs to design a cultural plan for the city later this year.
As reported by Tampa Bay Times, Michael Killoren, director of local arts agencies and Challenge America at the National Endowment for the Arts, has accepted a position as executive director of the Morean Arts Center in St. Petersburg, Florida:
A GIA blog post by Tony Grant, co-director of Sustainable Arts Foundation
For decades, GIA and its members have been at the forefront of providing support for individual artists. While all forms of arts grantmaking are vital, the direct support of individual artists is, to co-opt an expression, where the paint meets the canvas.
A timeline, produced out of the 2013 GIA conference in Philadelphia, chronicles the deep roots of this support, and a formal case statement published in the Winter 2012 GIA Reader helps define clearly just how much individual artists are at the core of what we do. GIA's Support for Individual Artists Committee convenes regularly to discuss and share techniques and goals for supporting artists.
The board of trustees of the Walter & Elise Haas Fund has announced that Executive Director Pam David will step down at the end of 2017, bringing her successful 15-year tenure to a close. During her stewardship, the vision and legacy of Walter and Elise Haas was enhanced and expanded for a new generation of trustees and residents of the continually evolving Bay Area.