For the month of April, GIA’s photo banner features work supported by The Heinz Endowments’ Transformative Arts Process (TAP) program. As an organization, The Heinz Endowments comprises two private foundations, the Howard Heinz Endowment and the Vira I. Heinz Endowment, that share a mission to help southwestern Pennsylvania thrive economically, ecologically, educationally, and culturally.
A new study funded by The New York Community Trust and Surdna Foundation found correlation between the presence of arts and culture resources and the health, safety, and well-being of low and moderate income neighborhoods in New York City. According to the report, culture does not work alone but is one ingredient that makes neighborhoods stronger. The findings will be used by The Trust and Surdna Foundation in grantmaking, and by the City’s Department of Cultural Affairs to design a cultural plan for the city later this year.
As reported by Tampa Bay Times, Michael Killoren, director of local arts agencies and Challenge America at the National Endowment for the Arts, has accepted a position as executive director of the Morean Arts Center in St. Petersburg, Florida:
A GIA blog post by Tony Grant, co-director of Sustainable Arts Foundation
For decades, GIA and its members have been at the forefront of providing support for individual artists. While all forms of arts grantmaking are vital, the direct support of individual artists is, to co-opt an expression, where the paint meets the canvas.
A timeline, produced out of the 2013 GIA conference in Philadelphia, chronicles the deep roots of this support, and a formal case statement published in the Winter 2012 GIA Reader helps define clearly just how much individual artists are at the core of what we do. GIA's Support for Individual Artists Committee convenes regularly to discuss and share techniques and goals for supporting artists.
The board of trustees of the Walter & Elise Haas Fund has announced that Executive Director Pam David will step down at the end of 2017, bringing her successful 15-year tenure to a close. During her stewardship, the vision and legacy of Walter and Elise Haas was enhanced and expanded for a new generation of trustees and residents of the continually evolving Bay Area.
In the latest issue of the GIA Reader, Elizabeth Méndez Berry recounts a panel discussion of artists using the power of narrative to create social change. “Telling New Stories: Reflections from an Art and Social Justice Funder” considers how the work of arts and social justice can be expanded and encourages funders to investigate their role in this process.
Ford Foundation President Darren Walker has recently published an op-ed on The Hill in support of the National Endowments for the Arts and Humanities:
A recent article in The New York Times highlights some of the art therapy programs funded by the National Endowments for the Arts and Humanities which serve veterans and their families. Given government support of veterans services, the article discusses how the success of these programs might influence conversations and decisions surrounding continuing funding for the endowments:
The Vermont Arts Council announced that Executive Director Alex Aldrich will step down on April 14 after more than 20 years leading the nation’s only nonprofit state arts agency. They have hired an interim executive director, Teri Bordenave, who will oversee day-to-day activities as well as assist in a national search for a new executive director.
An op-ed by Andrew W. Mellon Foundation President Earl Lewis discusses the unique role that the National Endowments for the Arts and Humanities play in funding arts and culture initiatives across the country. Lewis highlights ways the Endowments have enriched society and filled a niche in the funding arena – supporting programs in underfunded rural areas, lending “validation” to projects that may have otherwise been overlooked by private philanthropy, supporting veterans’ programs, leveraging public-private partnerships, and providing resources beyond what may be available on a state government level.