Support for Individual Artists

GIA members have been working together to promote and improve funding for individual artists for over 20 years. The Support for Individual Artists Committee has been one of the most active groups of funders within GIA. Over the years, the committee has been an incubator for such projects as a scan of scholarly research on artist support, a visual timeline outlining the history of artist support funding, major publications, and programs, and the development of a national taxonomy for reporting data on support for individual artists. The committee continues to advise, inspire, and inform GIA’s thought leadership and programming in support for individual artists.

Click here to listen to the latest podcast, and see below for resources.

March 27, 2015 by giarts-ts-admin

BFAMFAPhD. 2014, 15 pages, BFAMFAPhD. http://bfamfaphd.com/#artists-report-back

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March 24, 2015 by giarts-ts-admin

These are the sooty days and nights of fire, ashes and displacement. The aftermath of loss is reassessment and ultimately, response. We artists — poets, musicians, painters, photographers, craftspeople, writers, graphic designers, actors, sculptors, singers — possess the skills that can unpack the events and emotions brought forward by the devastating inferno of 2007. Our skills will also help us imagine a new San Diego. Our creative response to this tragedy serves neighbors, but our colleagues, students, and ourselves as well. We have not suffered more than others. Instead we suffer in league with our fellow San Diegans. We must help them cope, recover and flourish anew.

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March 23, 2015 by giarts-ts-admin

Sixteen years ago when venture capital frenzy was sweeping the country, the Andy Warhol Foundation for the Visual Arts and its partners decided that our nation’s boldest, most inventive creative artists would also benefit from many aspects of the venture capital (VC) approach, such as providing comprehensive, flexible, and ever-evolving structures of support. They launched Creative Capital and hired Ruby Lerner as its founding executive director to lead what was touted at the time as a major new experiment in supporting individual artists.

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March 21, 2015 by giarts-ts-admin

The opportunities to connect communities through culture and to use that cultural engagement to educate one another are simultaneously compelling and challenging to cultural foundations and philanthropists. Recent reports and research provide strong arguments and preliminary insights into ways that culture can advance engagement across boundaries, both geographic and societal. But the most challenging efforts may be those intended to connect the United States to Muslim populations abroad.

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March 3, 2015 by SuJ'n

In a speech delivered at a symposium held by UK-based Circus Futures, Owen Calvert-Lyons, artistic director of The Point, Eastleigh, and The Berry Theatre, implores the arts eco-system to make emotional in additional to financial investments in its artists. He asks:

Artists are constantly being asked to be financially resilient. But what about emotional resilience? When artists face rejection from a funder or a programmer, who is there to provide that sense of community and solidarity and empathy? So often the work that artists subsidise with time, money, love and belief is treated as a commodity, or just a product by venues. In an era in which our sector is constantly being asked to commercialise, this will only increase.

Read more of his edited speech here.

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January 28, 2015 by SuJ'n

In an article entited "The Death of the Artist—and the Birth of the Creative Entrepreneur", published in the current issue of The Atlantic, William Deresiewicz argues that the traditional notion of the professional artist as solitary genius is hopelessly outdated. He writes:

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January 27, 2015 by Steve

On January 29 you are invited to join representatives from a state arts agency, a foundation and an artist service organization for the first web seminar in 2015 from the National Assembly of State Arts Agencies, Individual Artist Support: Trends in Funding and Services. Learn about current trends, challenges and strategies from three experts in the field:

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January 15, 2015 by SuJ'n

In a study commissioned by the Emily Hall Tremaine Foundation, Arizona State University's Pave Program in Arts Entrepreneurship inventories business training programs and opportunities for artists outside of academic settings. How It's Being Done: Arts Business Training Across the U.S. looks at where arts business training programs exist by region, what kinds of organizations provide training, training modalities, topics, and costs among other distinctions.

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January 7, 2015 by SuJ'n

Creative Capital announced today its 2015 awardees in the categories of Moving Image and Visual Arts. The list of its innovative and genre-stretching awardees includes 50 artists from all stages of their careers, 46 projects, 13 states plus Puerto Rico and Canada. The total investment in these artists and projects nears $4.4 million.

Ruby Lerner, Founding President & Exeuctive Director, says:

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