In a study commissioned by the Emily Hall Tremaine Foundation, Arizona State University's Pave Program in Arts Entrepreneurship inventories business training programs and opportunities for artists outside of academic settings. How It's Being Done: Arts Business Training Across the U.S. looks at where arts business training programs exist by region, what kinds of organizations provide training, training modalities, topics, and costs among other distinctions.
Support for Individual Artists
Grantmakers in the Arts believes that artists are the keystone to a thriving creative community. Since GIA’s incorporation, members of Grantmakers in the Arts have been working together to promote and improve funding for individual artists, producing preconferences, conference sessions, articles, and toolkits for colleagues in the field. Noting a lack of sector-wide data on artist support, GIA began development on a taxonomy that could serve as a national standard for collecting, comparing, and analyzing data on support programs for individual artists. GIA released A Proposed National Standard Taxonomy for Reporting Data on Support for Individual Artists in 2014.
Creative Capital announced today its 2015 awardees in the categories of Moving Image and Visual Arts. The list of its innovative and genre-stretching awardees includes 50 artists from all stages of their careers, 46 projects, 13 states plus Puerto Rico and Canada. The total investment in these artists and projects nears $4.4 million.
Ruby Lerner, Founding President & Exeuctive Director, says:
The Alliance of Artists Communities announces applications are open for its 2015 Creative Access residency awards. This program, supported by the Craig H. Neilsen Foundation, provides visual artists and writers living with Spinal Cord Injury (SCI) month-long, funded studio residencies. Caitlin Strokosch, Executive Director of the Alliance of Artists Communities, shares:
The Sustainable Arts Foundation supports artists and writers with children by offering unrestricted cash awards to parent artists whose work is of the highest caliber. We're delighted to announce the winners of our 2014 Fall Awards. Once again, in this round demand was high: we received over 1,000 applications. To ensure that all applications received broad consideration, we enlisted previous awardees to serve as jurors.
The Alliance of Artists Communities, in partnership with The Rockefeller Foundation, is pleased to announce the inaugural awardees for “Artists as Change Agents: Beyond Bellagio”. The two exceptional artists are Tiziana Panizza from Santiago, Chile, for her project Solitary Land; and Samir Parker from Thane, India, for his project Re-Flexing the City. Each artist will receive a $20,000 award, made possible through a grant to the Alliance of Artists Communities from The Rockefeller Foundation.
Those of you who attended the 2013 Support for Individual artists Preconference will remember Conflict Kitchen, the Pitsburgh Artist-run take out restaurant thet provided our lunch. They are currently closed after a death threat from an unknown individual who interpreted their Palestinian lunch wrapper as anti-Israel.
When composer and Director of the Center for Performing Arts Medicine at the Houston Methodist Hospital Jefferson Todd Frazier tells people that he works for a center for arts and medicine, he says he receives some odd looks. Arts and medicine are two things that most people would rarely combine, and yet the Center for Performing Arts Medicine, or CPAM, has been doing just that successfully for 25 years. It was founded by a doctor known for treating opera performers, Dr. C. Richard Stasney, after he received a phone call from a performer in need of specialized care.
The American Music Project is a nonprofit foundation that hopes to put a brighter spotlight on the American repertory, old and new, and to commission new works. “The goal of the foundation,” Mr. Johnson said in a statement, “is to facilitate more performances of our great musical legacy, as well as to raise awareness and, ultimately, help increase the amount of American music that is performed regularly in our concert halls and opera houses.”