501(c)(3) non profit grantmaker

501(c)(3) non profit grantmaker

January 31, 2001 by admin
Sitting around tables at a conference center last May, we each joined five other participants in imagining and illustrating possibilities for artists who work in community arts programs for youth. We were part of a group of around thirty people convened as a working group first in San Jose, California in May 2000 and again in October in Minneapolis, Minnesota. Our aim was to explore how to build understanding and action toward the sustainable involvement of artists and arts professionals in youth and community development. Read More...
January 31, 2001 by admin
Co-sponsored by the Estate Project for Artists with AIDS and the National Association of Artists Organizations, Friday, October 13, 2000, the Japanese American National Museum, Los Angeles, California Read More...
January 31, 2001 by admin
The following article is based on notes for a talk presented in June 2000 at Dance/USA's bi-annual conference, "New Directions in Moving Ground." Marda Kirn participated on a panel subtitled "Nurturing the Art of Creation" that invited panelists to talk about inventive ways that artists find time, space, and support to create new work. Many years ago, I wanted to write a grant application to the NEA — as a kind of joke, and a kind of plea. I'd call it the Rip Van Winkle project. Read More...
September 30, 2000 by admin
National Arts Stabilization (NAS) offered the first course in its executive education program in 1997. Originally called Strategic Leadership in a Changing Environment, Strategy is a three-day seminar that, according to the NAS website, provides arts leaders with "a framework for understanding how to: - analyze the competitive environment, - identify alternative strategies, and - integrate mission and strategy." Read More...
September 30, 2000 by admin
The remarkable growth of the online sector in recent years can be assessed in many ways — from the rapidly expanding number of wired households (over half are now connected to the Internet) to the sheer explosion of content on the World Wide Web (which now encompasses over a billion pages). Data traffic exceeds voice traffic on the nation's phone lines now, and far more email messages than postal letters are sent every day. Read More...
September 30, 2000 by admin
In each issue of the Reader we intend to include at least one piece in the voice of an artist. Here we've chosen to reprint writer Irene Borger's interview with choreographer Joanna Haigood, from Force of Curiosity, Borger's interviews with past recipients of the CalArts/Alpert Award in the Arts. It is published here with Borger's permission. Read More...
September 30, 2000 by admin
2000 reprint edition, first published in 1992, 296 pages, paper. Arts Extension Service Press, University of Massachusetts, Amherst, ISBN 0-275-94054-3 Read More...
September 30, 2000 by admin
2000, 122 pages; Western States Arts Federation (WESTAF), Denver Colorado, 303-629-1166. Read More...
September 30, 2000 by admin
Summer 2000, Issue 19, 60 pages. Published by Arts Research Ltd, 52 Norland Square, London, W11 4PZ, Tel: +44 (0) 20 7229 2710; Arts Research Digest, University of Northumbria, Newcastle upon Tyne NE1 8ST, Tel: 44(0) 191 227 3894. Read More...
September 30, 2000 by admin
2000, 61 pages; published by the Edna McConnell Clark Foundation, 250 Park Avenue, New York, New York 10177-0026, 212-551-9100. We've all seen them, or worse, even written them: proposals and papers that promise to empower targeted entities to promulgate comprehensive cutting edge paradigms and strategies through proactive collaborative linkages based on intensive learnings and extrapolations that impact at-risk populations through best practices. Read More...