Community Foundation

Community Foundation

January 31, 2001 by giarts-ts-admin

November 2000. Benton Foundation, 950 18th Street, NW, Washington, DC 20006, (202) 638-5770.

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January 31, 2001 by giarts-ts-admin

Cultural Policy Research was the topic of two breakfast roundtables at GIA's 2000 conference in Minneapolis. A combination of scheduled presenters and other participants gave brief summaries of current research underway. The cumulative impact of hearing about so many projects at the same time inspired Reader editors to want to share the reports with our readers. This overview does not pretend to be exhaustive, but rather is a snapshot based on roundtable participation and the ability of the following report contributors to respond quickly to our invitation. We extend many thanks to them.

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January 31, 2001 by giarts-ts-admin

In summer 2000, junior professionals working in Los Angeles County arts and culture organizations gathered to form the Emerging Arts Leaders (EAL), named to reflect their ambitions of becoming established arts leaders. The group has met bimonthly four times and is in the process of formalizing a mission statement and 2001 activities, one of which is to establish a professional development training program. EAL is composed of about thirty junior professionals from all facets of the arts (artists, arts organizations, grantmakers, for-profit enterprises, and independent consultants).

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January 31, 2001 by giarts-ts-admin

See them in snow under a full moon
they told me.
The shadows will take you out of
yourself to when
the Stones were erected, the time it
took and the reason
we try to guess today.

Richard Hugo, from "The Standing Stones of Callanish"

Poets know that how we ask a question determines how we see the answer. The Murdock Charitable Trust, in its ambitious new study of arts funding, is learning the same thing. It's often your landscape of assumptions that determines what you can see.

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January 31, 2001 by giarts-ts-admin

The Potrero Nuevo Fund is a donor-advised fund housed at the Tides Foundation in San Francisco. Established about five years ago by Bill Laven and Christine Pielenz, the Fund supports projects in the arts, the environment, and sustainable architecture. While the Fund's giving to environmental and sustainable architecture projects is international in scope, the arts giving is focused on the Bay Area, and primarily on individuals and arts education.

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January 31, 2001 by giarts-ts-admin

The Marie Walsh Sharpe Art Foundation was established in 1985 to provide supplemental instruction to promising young artists and financial assistance to visual artists of demonstrated talent. Today, the Foundation awards approximately $500,000 annually.

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January 31, 2001 by giarts-ts-admin

2000, 218 pages, $19.95, Jossey-Bass

Don't let the medical bag with the big Red Cross on the cover of Alvin Reiss' CPR for Nonprofits fool you, the book is not about rescuing dying nonprofits. Instead it offers self-help for those willing to follow Reiss' prescription for breathing new life into organizations by identifying Challenges, developing a Plan and achieving Results.

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January 31, 2001 by giarts-ts-admin

Sitting around tables at a conference center last May, we each joined five other participants in imagining and illustrating possibilities for artists who work in community arts programs for youth. We were part of a group of around thirty people convened as a working group first in San Jose, California in May 2000 and again in October in Minneapolis, Minnesota. Our aim was to explore how to build understanding and action toward the sustainable involvement of artists and arts professionals in youth and community development.

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January 31, 2001 by giarts-ts-admin

March 2000, 29 pages, executive summary; 126 pages, narrative report. ArtsMarket. Copies are available from Walter and Elise Haas Fund, One Lombard Street, Suite 305, San Francisco, California 94111, (415) 398-4474.

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January 31, 2001 by giarts-ts-admin

Co-sponsored by the Estate Project for Artists with AIDS and the National Association of Artists Organizations, Friday, October 13, 2000, the Japanese American National Museum, Los Angeles, California

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