Grantmakers in the Arts

January 24, 2010 by GIA News

(1-22-10) The book Outrageous Fortune, the Life and Times of the New American Play has stirred up a lot of attention among playwrights and theater folk. Prolific blogger Isaac Butler of Parabasis organized a chapter by chapter review by a handful of respected theater bloggers (an all boy band, curiously) that has generated some interesting discussion. Here are their takes

Isaac Butler on Parabasis

January 24, 2010 by GIA News

(1-22-10) The Association of American Cultures (TAAC) is accepting proposal submissions for its next symposium Open Dialogue XII: Building the 21st Century Agenda for Cultural Democracy, a symposium of local and national leaders discussing policies and programs which individuals, organizations, foundations, and policy makers are encouraged to strategize and organize around in order to further advance cultural democracy and cultural equity platforms AND programs in today’s new era of change.

January 24, 2010 by GIA News

(1-22-10) National Endowment for the Arts Chairman Rocco Landesman gave a policy address today at the annual meeting of the United States Conference of Mayors (USCM). In his speech, the chairman addressed the role of smart design and artists and arts organizations as place-makers and announced the NEA Mayors' Institute on City Design 25th Anniversary Initiative.

January 21, 2010 by GIA News

(1-21-10) The study "Native Artists: Livelihoods, Resources, Space, Gifts" was published in December of 2009 and authored by Marcie Rendon and Ann Markusen. The report details a two-year study of the Ojibwe artists in Minnesota, focusing on artist training, access to resources and work-space, location, employment and self-employment, and other topics.

Listen to the MPR article here.

January 20, 2010 by GIA News

(1-20-10) Similar to reports such as The Conference Board’s tracking of consumer confidence, the Index views the arts as a dynamic system and provides reliable longitudinal information. It is unique when compared to other arts data systems in its scope, amount of data it presents, and annual publication. The Index is set to a base score of 100 in 2003. Every point difference represents one percent change.

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