Posted on May 15, 2014 by Steve

South Arts has released the results of multi-year research investigating arts education in the South. The reports, Arts Education in the South Phase I: Public School Data and Principals’ Perspectives and Arts Education in the South Phase II: Profiles of Quality, look at access to and quality of arts education in K-12 public schools in Alabama, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee through a set of quantitative and qualitative research. The reports were commissioned by South Arts with funding from the National Endowment for the Arts and nine participating state arts agencies. The first phase of the research was compiled with data collected from 4,400 principals (29.3% of those in the region). The second phase of the research includes nine case studies of model programs conducted by the Southeast Center for Education in the Arts at the University of Tennessee at Chattanooga.

Posted on May 14, 2014 by Tommer

Today the Awesome Foundation announced that they have passed the $1,000,000 mark in guerrilla philanthropy. One thousand grants of $1,000 each.

Posted on May 14, 2014 by Steve

From Isaac Brown, Legislative Counsel to the National Assembly of State Arts Agencies:

This morning, the Senate Health, Education, Labor and Pensions (HELP) Committee met to consider the nomination of Dr. Jane Chu to lead the National Endowment for the Arts. We are pleased to report that Dr. Chu’s nomination was approved by voice vote. The senior Republican on the committee, Senator Lamar Alexander (R-TN), spoke very favorably of her nomination in advance of the vote. The HELP Committee will now forward Dr. Chu’s name for consideration by the full Senate.
Posted on May 14, 2014 by Steve

From Charles Segars, CEO for Ovation, writing for Capitol Weekly:

Since 2003, California’s Governors and the Legislature have allocated $1.1 million annually to the Arts Council, the bare minimum to qualify for more than $5 million in annual federal grants. This lack of foresight has put California dead last among all 50 states in per capital funding for its arts agency.
Posted on May 12, 2014 by Tommer

Maryo Gard Ewell and the Robert E. Gard Wisconsin Idea Foundation recently shared with Art of the Rural this never-before digitally published manuscript from Robert Gard’s 1982 keynote address at the National Association of Local Arts Agencies Conference (now Americans for the Arts) in Philadelphia. The talk is entitled "The Arts in Smaller Communities (And their Encouragement)."

Posted on May 12, 2014 by Tommer

With a massive boost in state funding for arts and cultural programs, Florida would likely jump to near the top of all states in per-capita spending. The Florida Legislature approved $43.3 million for the 2014-15 budget for all arts and culture, a 384 percent increase from current levels.

Posted on May 11, 2014 by Steve

From Barbara Pollack at ARTnews:

It’s been three decades since AIDS first made an impact on the New York art world, annihilating a community and activating one of the most highly effective artist-driven political movements of the 20th century. At that time, for every Keith Haring, David Wojnarowicz, Robert Mapplethorpe, and Felix Gonzalez-Torres lost to the disease, there were scores of lesser-known artists, such as Ray Navarro, Hugh Steers, and Robert Blanchon, who also left their mark with art that documented, protested, memorialized, and reinterpreted the devastation of the era.
Posted on May 9, 2014 by Steve

Jesse Rosen, President & CEO of the League of American Orchestras writes on Huffington Post:

The distinction between board and management is not about who knows more about running the business. Governing and managing are two different functions. But they necessarily intersect and appropriately blur boundaries when it comes to strategic and generative work. And this is where a good board adds value beyond its fiduciary role.
Posted on May 8, 2014 by Steve

From Sam Cholke at DNAinfo Chicago:

Artist Theaster Gates was awarded $3.5 million from the Knight Foundation Thursday morning to support his work using the arts to revitalize communities. “From my artistic practice, I learned early on that art has the capacity to change people's perceptions — not only about a concept or an idea, but also about a place,” Gates said in a statement released by the university Thursday morning.
Posted on May 7, 2014 by Steve

Philamplify — an initiative of the National Committee for Responsive Philanthropy — is, at its heart, a series of comprehensive reports conducted by highly regarded researchers assessing foundation grantmaking and operations. Assessments include key findings and recommendations, along with in-depth analysis of foundations’ funding strategies. By keeping these assessments public, Philamplify seeks to build a culture of transparency, mutual accountability and knowledge sharing.

Posted on May 7, 2014 by Steve

From Craig Watson, director of the California Arts Council, writing for Western City:

When the concept of creativity is combined with “community,” it evokes images of vibrancy, activity and prosperity. In terms of economic development, how important is California’s creative economy? Quite important, according to the Otis Report on the Creative Economy, released in late January 2014. The report notes that 7.8 percent of California’s gross state product is directly attributable to the creative industries, with an impact of more than $270 billion annually. The creative economy employs some 1.4 million people, either directly or indirectly.
Posted on May 5, 2014 by Steve

Barry Hessenius posts to Barry’s Blog:

There is fairly decent sector support for the effort required to protect the funding for the NEA. But that support (the response to rally cries to lobby one’s elected officials) is hardly universal. The quid pro quo for a lot of those who are willing to collaborate on a national advocacy platform to protect the Endowment’s funding is to be a recipient of that funding. Both large and small states benefit as do virtually all discipline areas. While the NEA’s budget isn’t huge, it is large enough so that a lot of people get something. Would the challenge of protecting that funding be easier if more organizations and people (including those that are not direct recipients of the funding – but might someday be) were willing to collaborate on the advocacy necessary to convince elected officials that the value of the agency justifies the expenditure of the money to fund it?
Posted on May 2, 2014 by Steve

The California Department of Corrections and Rehabilitation (CDCR) and the California Arts Council are seeking artists to work for a rehabilitative arts program opening at prisons statewide. The Arts in Corrections programs will offer an array of performing, literary and visual arts disciplines, such as theater, music, creative writing, poetry, painting, drawing and sculpture.

Posted on May 1, 2014 by SuJ'n

During the month of May, GIA’s photo banner features work of GIA member Staten Island Arts.

Founded in 1992 by a group of community artists, Staten Island Arts is the borough’s local arts council serving a variety of artistic disciplines through its Grants Program for local artists and small arts organizations; Arts Education Program in schools and senior centers; Folklife Program with new & historic immigrant communities; and Contemporary Art Program such as LUMEN, a one-night video and performance art festival that attracts around 3,000 people each year.

Melanie Franklin Cohn, executive director of Staten Island Arts, shares about an exciting new venture that will serve as a nexus between creative enterprise, community-building, and the arts:

This summer, we will be opening a 2,500 square foot space at the Staten Island Ferry Terminal in St. George called Culture Lounge. Culture Lounge is a multiform program space and an artist retail market located in a ferry transit hub that sees over 75,000 passengers a day. The goal of Culture Lounge is to create a nurturing space for local artists, heritage bearers, and small arts organizations to gain skills, whether through exhibits, productions, workshops, or retail market experience, while engaging new audiences.

Posted on April 30, 2014 by Steve

It started as a conversation in the bar at the GIA Conference in Philadelphia…

The East Bay Community Foundation (EBCF), the Center for Cultural Innovation (CCI) and CultureStrike came together to present the first Business of Art entrepreneurial training workshops solely for undocumented artists on April 18 & 19 in Oakland, California. CultureStrike is an Oakland-based grassroots network of artists and activists working on issues of immigration and social change. The goal of the workshop was to create a formal opportunity for undocumented artist to access business knowledge resulting in greater individual visibility and empowerment that will help to advance their careers.

Posted on April 29, 2014 by Steve

Council on Foundations President and CEO Vikki Spruill will join First Lady Michelle Obama, Dr. Jill Biden, and grantmakers from around the country on Wednesday, April 30, for the announcement of the Philanthropy-Joining Forces Impact Pledge. Made by over 30 funders, this pledge aims to bring support to service members, veterans, and military family causes over five years.

Posted on April 29, 2014 by Steve

From Ray Mark Rinaldi, for the Denver Post:

The cultural revolution that is making marijuana part of everyday Colorado life conquers another established front Tuesday as the Colorado Symphony Orchestra announces a series of performances sponsored by the cannabis industry. The concerts, organized by pro-pot promoter Edible Events, will start May 23 with three bring-your-own marijuana events at the Space Gallery in Denver’s Santa Fe arts district and culminate with a large, outdoor performance at Red Rocks Amphitheatre on Sept. 13.
Posted on April 28, 2014 by Steve

Funding for 39 projects undertaken by many of America’s most vital artists working in the fields of contemporary performance was announced today by the MAP Fund, a program of Creative Capital primarily supported by the Doris Duke Charitable Foundation, with additional support by the Andrew W. Mellon Foundation. The MAP Fund, among the longest-standing nongovernment grants programs in the nation, has supported new works in performance that challenge the conventions of contemporary performance, particularly those that address issues of cultural difference in race, ethnicity, sexuality, gender, generation or any other aspect of diversity since 1989.

Posted on April 28, 2014 by Steve

Over the course of five years, the National Endowment for the Arts brought together teams from 29 states to collaborate on ways to strengthen states’ arts education policies. The Education Leaders Institute Alumni Summit Report shares the significant findings of what the NEA, its partners, and eight participating alumni states learned together and how it informed the NEA’s arts education strategic plan.

Posted on April 24, 2014 by Steve

Since 1995, I have been a huge fan of A+ Schools based on Howard Gardner's multiple intelligences and using art specialist working with classroom teachers to develop joint curriculum. Here's a great video on how and why it works. Janet Brown, President & CEO

Syndicate content