Posted on November 3, 2015 by Steve

On Thursday, November 19, 2015, a public forum will take place in Pittsburgh, Pennsylvania to release the findings of a study conducted by the Urban Institute and funded by The Heinz Endowments. The forum, Building Bridges to Economic Opportunity for African American Men, will provide a chance for public discussion of key findings from the report, “Barriers & Bridges: An Action Plan for Overcoming Obstacles and Unlocking Opportunities for African American Men,” that will be released during the forum. The forum is sponsored by The Heinz Endowments’ African American Men and Boys Task Force, and will take place at the Hill House Association’s Kaufmann Center in Pittsburgh. Learn more and register here.

Posted on November 3, 2015 by Steve

From Melissa Bailey of the Boston Globe:

Aspiring doctors may not think they have time to gaze at paintings or play the viola while they’re cramming for anatomy tests. But Harvard Medical School thinks students should be doing more of that — and the school is not alone. This fall, Harvard launched a new initiative to use more drama, dance, and literature to help medical students become empathetic and reflective doctors. In doing so, Harvard joins a growing number of schools making more overt efforts to weave arts and humanities into medical education.

Read the full article.

Posted on November 2, 2015 by Steve

Nonprofit Finance Fund has announced a pair of summaries on capitalization in the arts sector that distill findings from NFF's study of 36 capital grants made by the Foundation to arts organizations between 2010 and 2012. Building a Culture of Capitalization in Your Organization and Recommendations for Capital Grantmakers were both prepared with support from The Kresge Foundation.

Posted on November 2, 2015 by Steve

Arts Education Partnership has released The Arts Leading the Way to Student Success: A 2020 Action Agenda for Advancing the Arts in Education. The document serves as the blueprint for the collective work of the Arts Education Partnership for the next five years. This and other important information is all part of the new AEP ArtsEd Digest.

Posted on November 2, 2015 by Steve

The Rockefeller Foundation has announced, at a press conference on the stage of Broadway's Richard Rodgers Theatre, that it has pledged $1.46 million to pay for 20,000 New York City 11th graders, all from schools with high percentages of low-income students, to see Hamilton, a history-laden hip-hop hit that will be part of a series of Wednesday matinees starting April 13, 2016 and extending into the 2016-2017 Broadway season.

Posted on November 2, 2015 by Steve

Lifetime Arts is holding its Winter Training Institute, a creative aging professional development program for metro New York arts organizations, November 30 through December 3, 2015. The program will take place at Fordham University at Lincoln Center in New York City. Hosted by Lincoln Center Education, the Training Institute is a multi-phase Creative Aging program designed to help arts organizations and teaching artists expand their education programming to older adults.

Posted on October 30, 2015 by Steve

In the annual report from NASAA on public funding trends, Ryan Stubbs and Henry Clapp update the data from 2015 in the Reader article, Public Funding for the Arts: 2015 Update.

Posted on October 28, 2015 by Steve

An important article from Nonprofit Quarterly's archives, authored by Kate Barr and Jeanne Bell:

There is an important distinction between financial management and financial leadership. Financial management is the collecting of financial data, production of financial reports, and solution of near-term financial issues. Financial leadership, on the other hand, is guiding a nonprofit organization to sustainability. This is the job of an executive director.
Posted on October 28, 2015 by Steve

Blogger Lara Davis turns in her final thoughts on the 2015 Conference Blog:

This year’s theme, Experience the Unexpected, situated the arts as a vehicle for transformation. From community development and cultural equity, to tools for public voice and advocacy, funders were called to center their work in supporting artists and organizations as key to these efforts. As a first-timer, I was not quite sure what to expect. I attend and present at a fair share of conferences, but primarily within the youth development and arts education sector. Participating in this convening has been really beneficial and eye opening. More than anything, the personal connections and relationship building have had the deepest impact on me.

Read the full post.

Posted on October 27, 2015 by Steve

Emerging Practitioners in Philanthropy has announced that Tamir Novotny has been selected as its new Executive Director, beginning Monday, November 16, 2015. Novotny has been an active member of EPIP since early 2013 and has served on the EPIP New York Steering Committee, and as Regional Coordinator for the Northeast chapters. He has contributed to EPIP’s national programming, including EPIP’s 2015 national conference and its Wednesday Webinar series. He joins EPIP after nine years at Living Cities, a philanthropic collaborative of 22 major foundations and financial institutions focused on improving the lives of low-income urban residents.

Posted on October 27, 2015 by Steve

Barry Hessennius puts a wrap on his reports from the GIA 2015 Conference, held in Los Angeles last week:

Too often people only have complaints against funders. I would like to thank them. I admire their tenacity, their positive attitudes and their creativity. And now that I have thanked them, I would like to encourage them to push the envelope more; to have a sense of urgency about changing the dynamic and move us quicker in the area of equity. It’s frustrating not to move quicker where the need is great. There is so much that might get done if society had the right priorities and we had the necessary tools and resources. But things are getting a little bit better all the time.
Posted on October 22, 2015 by Steve

GIA 2015 Conference blogger Lara Davis shares her notes from Tuesday at the Los Angeles Conference:

Tuesday morning’s Idea Lab of artists was on point, my people. I was particularly struck by Rosten Woo, who in a nutshell, produces communication art. Putting “interpretation” at the center of his work, he creates things like aesthetically-designed and clearly legible pamphlets on zoning so that street vendors know their rights, and glossies that highlight art and cultural occurrences in neighborhoods that, “due to racism, or the mere fact it takes place in someone’s backyard,” are not recognized as cultural staple within a community. I’m a fan. crystal am nelson’s visual and spoken artwork was stunning, and affirming. It invokes “historical trauma combined with pleasure as complicity”, naming society’s collective involvement in the violence and de-humanization of the Black body. This is a mirror we need right now.
Posted on October 21, 2015 by Steve

The latest post from Barry Hessenius covers his notes from the second day of the Los Angeles Conference.

The major afternoon sessions were three hour offsite. I choose to attend the Digital Media for Arts Grantmakers session, focusing on the need for grantmakers to learn to deploy digital media to reach and engage audiences and to become fluent in digital capabilities and tools. Takeaways:
  • Have an articulated game plan, informed by the organization’s overall vision strategy
  • Build capabilities, don’t just do projects. Technology is not a project but a process
  • Shake up the organization chart with an integration of digital competency positions, including training
  • Put audiences first and be prepared for constant change.
  • This is, of course, a big, complex area where many arts leaders feel lost and / or incompetent and there are numerous obstacles to embracing full digital knowledge. But as the generational shifts become more urgent, so too is the necessity of overcoming reticence and fears to understand the basics of IT and appreciate the rapidity of change as a constant.

Read the full post.

Posted on October 20, 2015 by Steve

Barry Hessenius checks in with his observations on the first day of the Los Angeles Conference:

The first day of any of our art conferences seem to always be the longest. Janet Brown opened the conference with the reminder that the three operating principles of GIA continue to be: Inclusiveness, Collaboration, and Curiosity. Recent GIA Conferences have featured Idea Lab — short Ted like presentations by a trio of different working artists. The first three were all excellent. The one that caught my attention was Yuval Sharon, founder and artistic director of The Industry, an L.A. based experimental opera company that produces performances that can only be categorized as way outside the box. He touted three
Posted on October 20, 2015 by Steve

GIA conference blogger Lara Davis checks in after her first day of the GIA 2015 Conference in Los Angeles:

Day 1 of the main conference has been pretty spectacular. The opening plenary inspired with three local artist presentations centering cultural organizing, innovation, and love. The sessions themselves were brilliant – a confluence of ideas and grappling with critical issues that the philanthropic community must consider, unpack and engage through action and accountability. In particular, the session on Cultural Equity and Public Funding framed the evolving work of funding agencies amidst changing demographics in the US. These changes reflect impacts on housing, law enforcement, education, and even electoral politics – all compounded by economic gaps impacting communities of color. This is an environment, which calls the field to task, to position arts and culture as a space of creativity and possibility through problem-solving, collaboration, and community leadership.
Posted on October 19, 2015 by Steve

GIA has a pair of bloggers reporting from the Los Angeles conference. Barry Hessenius has turned in his first post with some consideration of the themes that the conference is putting forth:

It will be interesting — to me — to try to get a handle on where the funding people’s thinking is at this juncture on the financial picture and the equity equation. Most of the other issues we face are arguably offshoots of these two elephants in the room. Every funder has different priorities and ranks differently the challenges out there. There are geographic territories where the equity issue isn’t as front burner as it is elsewhere; there are communities where survivability is still manageable, relatively speaking, and communities where the available resources are increasingly obviously inadequate to do much of anything about those organizations that are living still on borrowed time. No one segment of any field agrees on everything, including the nonprofit arts sector. But over the last five years, there has been remarkable consensus on what is critical, and even on some of the nuts and bolts of how to approach these issues. More over the next three days.
Posted on October 19, 2015 by Steve

The GIA 2015 Conference is underway in Los Angeles. We have a pair of bloggers reporting on the proceedings. The initial post from Lara Davis, Seattle Office of Arts and Culture, covers the Investing in Filmmakers: Arts and Media preconference on Sunday:

Documentary filmmakers pursue diverse support, pulling together resources from many supporters, as the level of funding needed to bring projects to fruition is greater than any one grant they may be able to garner (notwithstanding the already limited funding for film from the philanthropic field). Additionally, budgeting and timing for projects vary. Cori Shepherd Stern, producer of Bend the Arc – which centers on global health equity and was eleven years in the making (five just to secure the rights) – puts it this way, “Some stories can happen quickly. Some are about a deep personal relationship over time, which takes more time to develop and bring to fruition.” Cara Mertes (Ford Foundation, JustFilms) posed this response to the funders in the room, “What are the places where you can leverage effectiveness at various points across an endeavor vis a vis this process of storytelling, when it can take years to complete a project?”
Posted on October 14, 2015 by SuJ'n

The National Endowment for the Arts (NEA) announced today that Jax Deluca will join the NEA as the director of media arts beginning on January 11, 2016. Deluca will manage NEA grantmaking in media arts and represent the agency to the media arts field. Deluca joins the NEA after her tenure as executive director of Squeaky Wheel Film & Media Art Center in Buffalo, NY, a nonprofit serving western New York state which promotes innovation in media arts through access, education, and exhibition. At Squeaky Wheel, Deluca has overseen major expansion efforts, including fundraising, new jobs and media equipment, an updated youth media arts curriculum, and relocation into new, upgraded facilities.

Read the full announcement.

Posted on October 14, 2015 by SuJ'n

Theatre Forward released a report, "Unmasking Business Success: Executive Perceptions of Arts Engagement and Workforce Skills." The research commissioned from Shugoll Research found that executives believe there is a strong link between an person's exposure to arts education and their potential for professional success. Bruce Whitacre, executive director of Theatre Forward, shares on The Conference Board blog:

...since executives confirm that the workforce demands the skills the arts develop, we are creating a key opportunity gap for students in poor schools who have little or no access to arts engagement.

A brief video of the findings can be found here.

Posted on October 12, 2015 by Steve

Grantmakers in the Arts is cited regarding racial equity in arts philanthropy in this article by Mike Boehm at the Los Angeles Times:

A new national study paints a bleak economic picture of African American and Latino nonprofit museums and performing arts companies and suggests that donors may have to let weaker organizations wither so that the strongest ones can grow. Funders may need to support “a limited number of organizations,” says the report by the University of Maryland’s DeVos Institute of Arts Management, “with larger grants to a smaller cohort that can manage themselves effectively, make the best art, and have the biggest impact on their communities.”
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