Andrea Shea from Boston's The ARTery reports:
At the same time that school music programs across the country are being downsized due to budget cuts, there’s one intensive music-education program that’s growing. And now Massachusetts has become the first state in the country to set aside funding for the Venezuelan-born effort known as El Sistema.
Artistic responses to the Ferguson no-indictment decision add to a long history of the arts being used to spotlight and counter injustice. Kim Diggs writes for North Texas' Star Local Media:
Because the arts have historically been instrumental in pushing agendas for social change, could the same tactics work to affect judicial change?
On Nov. 26, a day after the verdict to not indict Wilson was announced, Buffalo Black, a Dallas-based independent hip-hop artist tweeted a song he'd uploaded to Sound Cloud back in September called “Blood Lines.” The track was described as a tribute to Brown... Many of the lyrics in the song were written as if he was, at that moment, the voice of the African-American community, speaking out of frustration from witnessing and experiencing similar situations.
Inside Philanthropy shares a blog post by Doug Stamm, CEO of Meyer Memorial Trust Fund, on his journey from being comfortable with his "socially liberal bona fides" to meaningfully involving himself and the foundation with the struggle for racial equity. The article goes on to provide resources to help other foundations get started, or get deeper in, integrating racial equity lenses in their work - including Philanthropic Initiative for Racial Equity's volume of articles entitled Moving Forward on Racial Justice Philanthropy released this summer.
During the summer of 2014, the editorial team at Createquity scanned the research on diversity in arts patronage, arts creation, and arts administration. It found that research generally fell into four categories: 1) arts participation, 2) broad demographic shifts impacting the field, 3) specific demographic shifts impacting specific disciplines, and 4) recommendations to arts organizations on how to diversify their audiences. Last week, the team shared about its initial thoughts on the research scan and the development of their hypotheses. Read more here.
When composer and Director of the Center for Performing Arts Medicine at the Houston Methodist Hospital Jefferson Todd Frazier tells people that he works for a center for arts and medicine, he says he receives some odd looks. Arts and medicine are two things that most people would rarely combine, and yet the Center for Performing Arts Medicine, or CPAM, has been doing just that successfully for 25 years. It was founded by a doctor known for treating opera performers, Dr. C. Richard Stasney, after he received a phone call from a performer in need of specialized care.
Read the full article here.