For the month of October, GIA’s photo banner features artists and work supported by Target. Target’s support of the arts and culture dates back to 1946 when the company first began giving 5 percent of its profit to local communities. Today, this giving equals more than $4 million each week. Target is a Leadership Sponsor of the 2016 GIA Conference taking place this month in Saint Paul, neighbor to Target’s headquarters in Minneapolis. Read more here.
Posted on September 1, 2016 by Steve

In an article in the latest issue of the GIA Reader, New York City Addresses Diversity in the Cultural Workforce, Deputy Commissioner Edwin Torres reflects on the results of a recent survey of the racial demographics of arts and culture organizations in New York City.

Posted on August 31, 2016 by Monica

A recent article from Createquity identifies and discusses four different visions for cultural equity:

The further we delved into the literature around cultural equity, and the more we consulted experts and connected with some of the activists who precede us, the more we came to realize that shared understanding simply doesn’t exist. . . . But in our own conversations, we found it helpful to divide the visions for success we were reading and hearing from advocates into four archetypes: Diversity, Prosperity, Redistribution, and Self-Determination.

Read the full article.

Posted on August 30, 2016 by Monica

A new blog post from the Johnson Scholarship Foundations highlights the work of four Native American women in nonprofits and philanthropy who are driving change in their communities. Lori Pourier, executive director of First People’s Fund, is recognized as “a leader in the field – not just for Native arts and culture – but arts and culture period. She is the go-to person for the ‘creative economy’ in Indian Country."

Read the article.

Posted on August 29, 2016 by Monica

The Los Angeles County Arts Commission has released a new literature review on Public Engagement in the Arts. The report explores different ways in which “public engagement” can be defined and practiced, the purposes public engagement has been used for in the arts, and how the terms “audience” and “participant” have evolved and blurred over time. It also places public engagement in the context of one of the most urgent conversations taking place in arts and culture today, that of cultural equity and inclusion.

Read the report.

Posted on August 29, 2016 by Monica

By Tom Teicholz, writing for Forbes:

The Los Angeles City College Foundation announced a $10.1 million gift from The Herb Alpert Foundation, creating an endowment that will provide tuition free attendance at Los Angeles City College to all music majors. This is the largest gift ever for a Southern California Community College.

Read the full article.

Posted on August 25, 2016 by Monica

Roberto Bedoya has been appointed as the City of Oakland’s first Cultural Affairs Manager. Bedoya will oversee the City’s Cultural Affairs Unit, housed in the City’s Department of Economic and Workforce Development. The unit includes the City’s public art program and cultural funding program. He will also provide leadership for new initiatives such as completing a cultural plan for the city, supporting cultural districts within the City of Oakland, and growing a technical assistance program to help artists and arts organizations build capacity.

Posted on August 24, 2016 by Steve

In the spring of 2016, GIA hosted a forum of thought leaders to discuss how funders can better support artists working in community settings such as teaching artists and artists working in cross-sector environments. For the summer edition of the GIA Reader, Margaret Hasse summarizes the fruitful conversation from that day in “Artists in Community Settings: Supporting the Movement.”

Posted on August 24, 2016 by Monica

In a recent article in the Stanford Social Innovation Review, Justin Laing writes about grantee inclusion as “a critical and important step toward mutual accountability; when implemented deeply, it lets us imagine even more far-reaching practices of accountability, transparency, and partnership between grantmakers and grantees.” The article highlights work that The Heinz Endowments has done to develop mutual accountability between the organization and its Transformative Arts Process advisory board.

Posted on August 23, 2016 by Monica

Joint Affinity Groups and its core partners – Asian Americans/Pacific Islanders in Philanthropy, Funders for LGBTQ Issues, Association of Black Foundation Executives, Emerging Practitioners in Philanthropy, Native Americans in Philanthropy, Hispanics in Philanthropy, and Women’s Funding Network – have transformed their coalition into CHANGE Philanthropy. The coalition works “to raise the level of dialogue and shift practice among funders so that philanthropic dollars are dispersed through equitable practices.”

Posted on August 23, 2016 by Monica

Mid-America Arts Alliance (M-AAA) has announced that CEO Mary Kennedy, who has held the position since 2002, has resigned her position effective October 1, 2016. Kennedy’s decision to resign comes after 27 years of service to M-AAA. She will provide consulting services to M-AAA until a new CEO is in place.

Posted on August 18, 2016 by Monica

Aroha Philanthropies has announced the first cohort of its Seeding Artful Aging initiative. Fifteen organizations were chosen to partner with Aroha Philanthropies in a seminal initiative designed to support the development and expansion of successful Artful Aging programs. Grants awarded range from $17,000 to $50,000 for projects to run between January 1, 2017 and November 30, 2017.

Posted on August 17, 2016 by Steve

In an article in the latest issue of the Reader, A More Equitable World Because of Theatre, Teresa Eyring of Theatre Communications Group details the organization’s efforts to develop its equity, diversity, and inclusion (EDI) initiative – from board-level conversations and learning to program implementation.

Posted on August 16, 2016 by Monica

The New York Community Trust has released a report on the work of its collaborative funding projects, highlighting initiatives to fund arts programs, support public schools, develop affordable housing, and others. Over nearly 40 years, The Trust has partnered with over 140 funders, distributing $119 million across 20 collaborative funds. The report discusses outcomes and lessons learned from these projects.

Posted on August 15, 2016 by Monica

Kindle Project, an experimental philanthropy lab, has announced a new grantmaking program called Boomerang which aims to give artist grantees the ability to help shape the distribution of philanthropic dollars. The recipients of the organization’s upcoming Makers Muse Artist Awards will each be offered a Flow Fund to recommend be reallocated to an organization or project of the artists’ choosing. The project aims to embolden artists and discover new unusual projects, creators, and ideas by placing decision-making power in the hands of grantees.

Posted on August 11, 2016 by Monica

The National Endowment for the Arts’ digital story series United States of Arts has been nominated for a 2016 Primetime Emmy Award in the Outstanding Short Form Nonfiction or Reality Series category. A key feature of United States of Arts is the collection of more than 60 three-minute episodes highlighting the stories of arts and culture; one from every U.S. state, territory, and region, reflecting a diverse array of cultures, people, places, and ideas.

Posted on August 11, 2016 by Steve

In the latest issue of the GIA Reader, Alison B. Hirsch writes on The Collective Creativity of Anna and Lawrence Halprin. The article explores the couple’s innovative artistic experiments that combined Anna’s dance choreography with Lawrence’s background in landscape architecture.

Posted on August 10, 2016 by Monica

A new grant program of Theatre Communications Group assembles teams of three or more nonprofit organizations to design and implement audience engagement and community development strategies. Funded by the Doris Duke Chariatable Foundation, the inaugural Audience (R)Evolution Cohort Grants have been awarded to 9 projects representing 32 partnering organizations for a total of over $1.18 million. TCG will also provide additional general operating support equivalent to 30 percent of each award.

Posted on August 10, 2016 by Janet

By Janet Brown, from her blog Better Together

In 1980, when I was living in New York City, I had a conversation with a man who at one time was general manager of Lincoln Center. We debated, rather heatedly, his premise that the National Endowment for the Arts should give money only to states that produce “good” art — in other words, New York. (He wasn’t sure other states should get any funding at all.) He believed the federal government should give funds to South Dakota, my home state, for what it does well — grow corn and beef. He believed the government should fund only what someone would decide was “good” art, and obviously, no “good” art came out of South Dakota. I was offended by that, and I can pinpoint that day as the beginning of my somewhat outspoken beliefs that all art has an element of excellence as long as it is authentic to a people and place. I delight in the fact that there are no rules of geography and environment in art making.

Posted on August 9, 2016 by Monica

The Joyce Foundation has announced that Tracie D. Hall, currently deputy commissioner of the Chicago Department of Cultural Affairs and Special Events, has been appointed director of the foundation’s culture program. She will join Joyce in mid-November after readying Chicago’s Public Art Plan and Year of Public Art initiative for launch late this year and in early 2017.

Posted on August 8, 2016 by Monica

Mid Atlantic Arts Foundation (MAAF) announced that executive director Alan W. Cooper will retire effective May 2017. As executive director of the foundation since 1994, Cooper has been responsible for all aspects of leadership and oversight leading to substantial growth in programs and services that have had extensive impact for both audiences and artists in the mid-Atlantic region and beyond.

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