Arts and Community Development

August 30, 2018 by Carmen Graciela Díaz

The Andrew W. Mellon Foundation awarded recently Pitzer College a five-year $1.1 million grant to develop a Claremont Colleges-wide Critical Justice Education (CJE) program. The program will foster social change through the power of prison education and educate Claremont students and incarcerated individuals.

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August 21, 2018 by Carmen Graciela Díaz

As the term creative placemaking is increasingly known in arts and culture, community development, and urban planning, a new white paper released by Kresge Foundation explores the value of the field and what it needs to flourish.

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August 3, 2018 by Carmen Graciela Díaz

Arts and cultural organizations in the United States are well-distributed across the country, serving communities both poor and affluent, rural and urban, not just on the coasts and not just in major metropolitan markets, states the National Center for Arts Research (NCAR) introducing its 2018 most vibrant arts communities in America index.

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April 30, 2018 by Carmen Graciela Díaz

This May, after five years, the art space 356 Mission in East Los Angeles will be closing its doors. But, as Nonprofit Quarterly wrote citing Hyperallergic, there were mixed reactions to the news. From artists, there was a sadness as they acknowledged the work the space has done for the arts and for its neighbors. And, with a very different reaction from community activists who “applauded the announcement as a victory against developers and the artists and galleries they see as their enablers and collaborators.”

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April 16, 2018 by Carmen Graciela Díaz

"What does culture have to do with sustainability?" A report by Helicon Collaborative, commissioned by ArtPlace, begins with this question to make the case for how place-based arts and cultural interventions, or “creative placemaking,” advance sustainability outcomes in the context of community development.

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February 14, 2018 by giarts-ts-admin

The arts and culture sector continues to have conversations on multiple levels about how to advance the causes of equity, inclusion, and diversity. The discussion is not new, but the momentum toward implementing clear action steps is building. A new level of understanding of the ways in which racial and social inequities are the result of complex systemic issues has given rise to a realization that the path to truly effective solutions will require deep, and deeply challenging, institutional change.

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February 14, 2018 by giarts-ts-admin

As arts funders, we know that extensive research has shown that the presence of arts and culture activities at the neighborhood level can improve health and safety and promote a sense of well-being among residents. But how do we identify what activities already exist in a community and, as important, where there are gaps so we can be proactive in advancing a community’s livability?

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October 12, 2017 by giarts-ts-admin

During the past two decades, cultural planning practice in the United States has fallen behind that in parts of the world where cultural plans are required in city general plans, broader definitions of culture have been adopted, more domains of city planning have been integrated, and theoretical debate has progressed further. In the United States there is neither a field of cultural planning nor of cultural planners.

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October 11, 2017 by giarts-ts-admin

“Is the stadium we passed going up or coming down?” asked Kristen Calhoun, ArtChangeUS founding program director. Suddenly the previously strained community meeting we were attending came alive. Kristen and I were in Detroit in July 2016 to plan ArtChangeUS REMAP: Detroit, and we had repeatedly driven by the mass of steel girders, not knowing if it represented Detroit’s past or future. Artist and activist Invincible ill Weaver had organized a series of gatherings for us to meet with grassroots cultural change makers.

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October 11, 2017 by giarts-ts-admin

From the author:
This essay was in my head for a couple of years, especially after I was reunited with several childhood friends in an alumni group on Facebook. I started writing this piece off and on when, in early 2014, writer/editor Anna Clark asked if I would contribute a piece to an anthology that she was pulling together.

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