Arts Research
2003, 253 pages. Praeger, Westport, Connecticut, London, England, ISBN: 0-275-97013-2, hardback, $62.95
Read More...2002, 20 pages. Americans for the Arts, 203.371.2830, www.AmericansForTheArts.org
"When we hear talk about reducing support for the arts," writes Robert Lynch, president of Americans for the Arts, "we should ask: Who will make up for the lost economic activity?" The gist of the message of that group's Arts & Economic Prosperity report is simple and catchy: "the arts mean business."
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July 2003, 25 pages. Project on Regional and Industrial Economics, Humphrey Institute of Public Affairs, University of Minnesota, 301 S. 19th Avenue, room 231, Minneapolis, MN 55455, (612) 625-8092
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The Artistic Dividend (1.6Mb)
May 2003, 272 pages. Southern Illinois University Press, Robert A. Shanke, Theater in America Series, editor, 800-346-2680 or 618-453-2281, www.siu.edu/~siupress
Read More..."Without getting on a soapbox, I would say that dancing is as much a calling as it is anything else. Don't think of it as a career. You're stupid if you do. You've got to have something burning in your gut that you want to express."
“I don't want people who want to dance, I want people who have to dance.”
2003, 243 pages, $25.00, Simon & Schuster, business@simonandschuster.com
From stage to film, downtown to uptown, tap to post-modern to bravado ballet, crossing over has been a mark of choreographer Twyla Tharp's career. Likewise, her latest book spans multiple genres. Part workbook, part behind the scenes autobiography, part self-help manual, The Creative Habit has a single message: If you dream of living a creative life, get to work!
Read More...Just about everyone by this time, I suppose, has heard of blogging, the act of keeping a Web journal, often accompanied by links to related online articles, photos, or Web sites. Weblogs, blogs for short, first appeared in the late 1990s. Early on, they were a geeky pastime that served mostly as a method to pass on interesting Web links to a small circle of like-minded readers.
Read More...Are you the leaf, the blossom or the hole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?
— by William Butler Yeats
Read More...Ensembles are marked by a sustained commitment to collaboration..... The ensemble process allows for the development of a distinctive artistic vision and language unique to all artists involved.
— excerpt from the Flintridge Foundation theater mission
"To host the number one Hip Hop festival in the United States" — that is Larry Goldman's vision. Two years ago Mr. Goldman, president and chief executive officer of the New Jersey Performing Arts Center (NJPAC), charged Baraka Sele, curator/producer of NJPAC's World Festival: Alternate Routes, with bringing this statement to fruition. Over four days this fall (October 31, 2002 through November 3, 2002) NJPAC became one of the first major U.S. performing arts centers to host a festival dedicated to exploring and promoting Hip Hop.
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