Making Arts Policy a Priority

From the editorial page of The Boston Globe:

Despite the boilerplate campaign rhetoric of “I support the arts!,” when hard times hit, and austerity is called for, arts are the first thing to go. Nowhere is that more evident than in the budget for the Massachusetts Cultural Council — the state agency charged with supporting artists and arts organizations — where the funding dropped by more than half, from $27 million in 1988 to $12 million in 2014. Recently, the dial has begun to move in the other direction. The Legislature opposed further cuts to the council’s budget in 2014 by actually giving it a slight increase. And Governor Deval Patrick tripled the Cultural Facilities Fund — which supports the maintenance and repair of arts venues — from $5 million to $15 million. Meanwhile, it would be nice to get the council’s budget up to at least what it was 10 years ago.

The arts are not merely an add-on — a luxury — but an essential component of the state’s quality of life. The Massachusetts arts community encompasses roughly 6,000 arts and cultural organizations that support more than 45,000 jobs. A report last summer by ArtsBoston showed that nonprofit arts and cultural organizations boost the Boston economy alone by $1 billion every year. Arts education has been shown to improve student performance across the disciplines and to transform troubled schools like Roxbury’s Orchard Gardens. The latter went from being one of the worst schools in the state to becoming one of the best after a new principal initiated a robust arts program. Likewise, an array of arts programs — from the Actors’ Shakespeare Project’s Incarcerated Youth at Play to the Boston Children’s Chorus, Shakespeare and Company’s Shakespeare in the Courts, RAW (Raw Art Works) in Lynn, and Zumix in East Boston — have been instrumental in curbing youth violence across the state and changing young lives. And it is impossible to imagine the turnarounds in economically distressed cities like Pittsfield, North Adams, and Lowell without investment in the arts.

Read the full editorial.