Artists and Gentrification: Sticky Myths, Slippery Realities

We have an unfortunate tendency in the U.S. to view artists as special/different/other. Larry Gross likens it to artists being on a reservation or special island in his On the Margins of Art Worlds. As early as elementary school, teachers single out a few students with god-given talent from the apparently uncreative masses. This is a cultural construct. In Native American cultures, art is an integral part of life, not a separate vocation/occupation.

In their Native Artists: Livelihoods, Resources, Space, Gifts (2009), Markusen and Rendon point out that there is no word for art in Ojibwe or in many tribal languages.

One wonderful role that artists play in dominant U.S. culture is that of the provocateur, and for that, yes, they do need a bit of distance to see things and make critical commentary. But that certainly does not mean they are by default elitist, snobs or more creative than thou. They are of the community. They are some of the regular people that proponents of inclusive placemaking, like PPS, should wish to involve. They happen to have unique skill sets and when they’re game to apply them for the common good via placemaking, we should embrace and nurture their efforts.