- Grantmakers in the Arts
- 4055 21st Avenue West, Suite 100, Seattle, WA 98199-1247
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Grantmakers in the Arts heard from members that they are looking to learn from each other and from GIA about strategies to address the changing political climate and its effects on the arts community. To that end, GIA has created Arts Funders Respond: Engaging the Political Climate, a new website with regular updates on actions and statements funders are making across the country, as well as news updates and resources for advocacy. Learn how arts funders are taking action with program and policy changes. Read statements, op-eds, and blog posts by foundation leaders and others in the field. Get updates on the latest news and articles on issues that impact the arts community. And discover resources to support advocacy efforts for public and private funders.
A new survey by Exponent Philanthropy shows the vast majority of its members (82%) expect the institution of philanthropy to play a more important role in society as a result of recent changes in Washington, DC. Issued in late March to Exponent Philanthropy’s members – foundations with few or no staff, philanthropic families, and individual donors – the informal “Pulse Check” survey looked at how changes today in politics may impact philanthropic behavior in the year ahead, both in terms of giving practices and investments.
Laura Zucker has announced her plans to leave her position as executive director of the Los Angeles County Arts Commission on July 31, 2017. Zucker has been a driving force in the development and support of the arts and culture ecosystem of Los Angeles County over the last 25 years. Under Zucker’s guidance, the County’s organizational grant program grew eight-fold and now funds almost 400 nonprofit arts organizations through a two-year $9 million grant program.
A recent article in The Denver Post highlights a new public-private partnership to fund arts programs that also support human services:
It’s rare for government and nonprofit grant-makers to work together, but even more unusual for them to break out of their regimens. Bonfils-Stantion CEO Gary Steuer said it happened because the foundations saw these cross-over efforts happening organically in the community and wanted to come up with a way to provide support.
More and more, artists and performers were offering programs with a social service component — not just making art for art’s sake, but conducting theater workshops at rec centers and presenting plays to combat teen suicide.
A recent article in the Stanford Social Innovation Review discusses how some foundations are using a systems change approach to work toward social change in the current political climate. "A key differentiator for systems change foundations," author Mark R. Kramer writes, "is that they no longer try to pilot a small-scale program first and then take it to scale later; they confront the system at scale from the start."
A collaboration of the National Endowment for the Arts and the U.S. Department of Commerce’s Bureau of Economic Analysis (BEA), the [Arts and Cultural Production Satellite Account] is the first federal effort to provide in-depth analysis of the arts and cultural sector's contributions to the U.S. economy. This latest ACPSA data is from 2014 and reveals that the arts and cultural sector contributed $729.6 billion or 4.2 percent to the U.S. economy that year. Between 1998 and 2014, the contribution of arts and culture to the nation’s gross domestic product grew by 35.1 percent.
In a recent blog post, June Wilson and Lenore Hanisch of the Quixote Foundation discuss the decision to close the foundation and spend its entire endowment:
A recent article in Valley News highlights a new arts education program for older adults in New Hampshire supported by Aroha Philanthropies:
According to one 2006 study funded by the National Endowment for the Arts, seniors who participated in cultural programs like Experience/Arts reported better physical health and morale, and less loneliness, one year after the completion of their programs compared to control groups who did not participate in those programs.
From The Architect's Newspaper:
Schupbach is considered one of the founding leaders of the national creative placemaking movement and will head to ASU after working as the director of design and creative placemaking programs for the National Endowment of the Arts. At the NEA, Schupbach oversees Our Town and Art Works grants, the Mayor’s Institute on City Design, the Citizens’ Institute on Rural Design, as well as the NEA’s community development-related federal agency collaborations.
A recent article in The Washington Post highlights how funding from the National Endowment for the Arts supports arts and culture across Indiana, including in many small towns and rural areas: